A decorated architect is celebrating the arrival of 3-dimensional technology with a look at how he turned his home into a model of sorts.
In this article, designer and decorators Ryan Ritter and John O’Donnell are sharing how they recreated the interior of their New York City studio, which they have dubbed the “Walking Room.”
Ritter’s studio is located on a street corner in Greenwich Village, across from a subway station.
His clients have used the space to transform it into a space where they can create their work without the help of expensive, elaborate, and potentially dangerous-looking furniture.
O’Nell’s work is also centered on the same corner of the block, where he transformed the studio into his own home.
When O’Neill first began his renovation, he didn’t even have any concept of 3D printing, so he didn, too, for his “Tiger House.”
In his studio, he uses a custom-built 3-d printer, a machine he’s used before for large-scale pieces, to make up the walls of his studio.
O ‘Nell and Ritter have since built out their own studio in the same location.
The model they are showing is of the wall of their studio.
It’s decorated with decorative lights and a 3-by-4-foot door.
The two designers and the model have a collaboration to show, as they have been working together on a variety of projects.
Ritter’s work consists of his own house, with a custom wall of 3d printed furniture, and O’Neal’s works have featured his own studio.
Their collaboration has created a work of art that is both elegant and functional.
“I’ve always liked to make my work stand out,” O’Connell said.
“So when I had the idea to build my own studio out of a piece of furniture I’d built, it seemed like the perfect way to do that.
It also seemed like a great way to show the community what I do, what I’ve been doing and what I’m capable of.
I think people really like the look of it.”
O’Neal said he’s always been fascinated by the idea of using 3-dimensionality to create a work.
“It’s always fascinated me when I look at an object, like a model or a piece, and it’s not that much bigger than it actually is,” he said.
He added that he has always been interested in how a 3D printed object would look and function on a real-life table or desk.
“You have a piece that’s going to be in your home for a long time, but it’s never going to look the same,” he explained.
“So I wanted to create something that would look like it’s going out of style and that I could have something to put on my table or my desk, so that it was actually a real piece.”
Ritters is also interested in 3-dimensions in his work.
He said his work is inspired by a different style of architecture, and that he’s looking to create another piece that is not so much a “classic” or “traditional” design.
Ritter said the inspiration behind his work stems from the idea that “you can create an idea of the house that is a little bit different than the actual house.”
“If I were to build a house and I had all the original features that the architect designed it to have, it wouldn’t look the way it looks,” he added.
“The house could have a different color, a different look, a little more roomy, a bit less roomy.”
The designers also talked about the importance of creating a home that is “accessible to everyone,” and how that can be achieved through using different materials and materials in different ways.
“When you have a large room that’s empty, it can be very difficult to create that space for your whole family,” O”Nell said.
Ritters added that his work can also be done with a larger space, but that he also wants to “bring people together.”
“When people come to the studio and they’re able to go out and spend time with their family and the work that they are doing, it’s just something that’s really beautiful,” he remarked.
“And it can really take you into the city and into the world.”
Ritz said that the new technology can be used to make the work of the artist “even more beautiful.”
“The best way to use 3D printers is to use them to make a model that you can then use to design a model to build that model,” he shared.
“We want to make sure that the work is done in the right way, and then the next thing we want to do is print that model, and print that print, and we want it to be out in the world so that people can use it to see